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The journal

Destinations

Two days in Bogotá

After that first stormy day, two more in La Candelaria, between Botero's round, generous people and a city that greets you every time you walk through a door.

A steep old street in Bogotá running downhill toward green mountains under a bright blue sky.
Morning, and the mountains already waiting.

After that first day above the clouds, I gave Bogotá two more, which is nothing. I knew it when I booked it and I knew it even more the next morning, standing at the top of a steep street in La Candelaria with the mountains sitting right there at the end of it, so close they looked painted on.

A steep old street in Bogotá running downhill toward green mountains under a bright blue sky.

The light here is strange in the best way. Sharp and cold in the shade, almost hot in the sun, and it changes every ten minutes. I learned to carry a jacket and a pair of sunglasses at the same time.

Red clay rooftops of Bogotá with green mountains rising behind them.

But the walls do the talking

La Candelaria is old and it doesn't hide it. Houses with peeling paint and green shutters, and over every inch of the lower walls someone has written, drawn or painted something. I stopped trying to read it all and just walked slowly.

An old two-story house in La Candelaria with green shutters, its lower walls covered in graffiti and murals.

At the bottom of a staircase I found her: a giant painted face of an old woman in a red headscarf, looking straight past me. I sat on the steps across from her for a while. It felt rude to take the picture and leave.

A huge mural of an elderly indigenous woman in a red headscarf at the bottom of a staircase.

Therefore, Botero

I had promised myself a quick look at Museo Botero. I stayed most of the afternoon. The rooms are quiet and wooden and full of his round, heavy, completely unbothered people, and I kept smiling at them like they were relatives.

A long gallery at Museo Botero with wooden floors and paintings hung along white walls.

The building itself is half the reason to go. Upstairs there is a balcony over a white courtyard with orange trees and arches, and the mountains looking in over the roof.

The white arcaded courtyard of Museo Botero in Bogotá, seen from an upstairs balcony, clouds above.

Daria Solovey in a white shirt taking a selfie in the museum's cloister, dark railings behind her.

The second day, slower

I let the second day decide itself. It started under a street of open umbrellas, red and yellow and blue, strung from one side to the other like someone had planned a party and forgotten to tell anyone.

A narrow street in Bogotá covered by a canopy of colorful open umbrellas.

Then breakfast, which in Colombia is a serious event. Beans, rice, an egg, plantain, a little arepa, and a cup of hot chocolate I was told to eat with cheese dropped into it. I did. I'm still thinking about it.

A large Colombian breakfast plate with beans, rice, fried egg, plantain and sausage, next to a cup of coffee.

By night the temperature fell fast and the old streets went gold under the lamps. I zipped my jacket to the chin and walked home the long way, past windows full of people eating soup. Two days was nothing. I'll be back for a week.

Daria Solovey at night on a street in La Candelaria, wearing a black leather jacket, looking to the side.

Red clay rooftops of Bogotá with green mountains rising behind them.
The view from a window I didn't want to close.
The white arcaded courtyard of Museo Botero in Bogotá, seen from an upstairs balcony, clouds above.
Museo Botero, where I stayed far longer than planned.
A narrow street in Bogotá covered by a canopy of colorful open umbrellas.
A ceiling of umbrellas, on the one day it didn't rain.